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Danse avec les loups
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Apashe, Catch Me
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A Year and a Half in the life...
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Too Many Zooz, Pink Yesterday
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Becky Hill, Disconnect
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Angine de Poitrine, Live KEXP
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Personne n’est normal
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Apollo 13
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OrelSan, L’odeur de l’essence
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Katy Perry, Firework
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Jimmy Fallon & Jonah Hill, #hashtag 2
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IDLES, Live @ Later… with Jools Holland
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Talking Heads, Once in a Lifetime
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Nina Simone, My Baby Just Cares For Me
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Björk & Rosalía, Oral
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Moby & The Void Pacific Choir, Are You...
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Peter Gabriel, Don’t Give Up (feat. Kate Bush)
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Jimmy Somerville, You Make Me Feel (Mighty Real)
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M-Beat feat. General Levy, Incredible
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Metallica, Mama Said
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Björk, Jóga
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Flea, A Plea
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On ne dit pas non à…
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Suprême NTM, Le monde de demain
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Les Indians
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Love Is FreE
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DMX, Ruff Ryder’s Anthem
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The Rolling Stones, Like a Rolling Stone
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Nneka, Heartbeat (Chase & Status Remix)
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Nena, 99 Luftballons
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XXXTentacion, Look at me!
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Terminator
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Author & Punisher (Studio Science, Red Bull Music...
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Moonfall
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Footloose
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Sacrés caractères, Mistral
Visualization
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2010s, 2017, Arrival (Premier Contact), best of 2017, best of créa, best of science, Christopher Wolfram, cinema, code, creativity, demonstration, Denis Villeneuve, extraterrestrial, live coding, logogram, Mathematica, newspeak, Non-linear time, programming, science, the fruit doesn't fall far from the tree, Visualization, visual language, Wolfram
Explication de la création des logogrammes du film “Premier contact” (Arrival)
Par Christopher Wolfram, fils de Stephen Wolfram, créateur du logiciel Mathematica
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Nigel Stanford, CYMATICS
Représentation du son via des expériences scientiques, comme la figure de Chladni, le Tube de Rubens, la Bobine de Tesla et les Ferro Fluides.
