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Coast Contra, Never Freestyle
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Die Antwoord, House of Zef Megamix9000
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Dub FX, So Are You
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Rick Astley, Never Gonna Give You Up
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Kendrick Lamar, Alright
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Gwen Stefani, Hollaback Girl
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Son papa à lui est un enfoiré
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Nonfilm
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Nick Cave and the Bad Seeds, Straight To...
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Cher, The Shoop Shoop Song (It’s In His...
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The Shoes, Time To Dance
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Snoop Dogg, Who Am I (What’s My Name)...
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Karen X. Cheng utilise l’IA pour créer une...
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Nine Inch Nails, Closer (Director’s Cut)
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Willow Smith, Symptom of Life
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Kanye West, Fade
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Young Thug & Carnage, Homie (ft. Meek Mill)
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MEUTE, Elbphilarmonie Sessions
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Sepultura, Refuse/Resist
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Frank Ocean, Swim Good
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300 (Teaser)
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Vince Staples, Señorita
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Sacrés caractères, Auriol
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Chase & Status & Hedex, Liquor & Cigarettes...
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Anders Weberg, Ambiancé
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Power Slap: Road To The Title
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Alerte !
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Speed
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The Chemical Brothers, MAH
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Vanessa Carlton, A Thousand Miles
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Tobe Nwigwe feat. Fat Nwigwe, Fye Fye
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Olivier de Sagazan
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Snoop Dogg & Wiz Khalifa, Young, Wild and...
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slowthai & A$AP Rocky, MAZZA
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Nine Inch Nails, Starf***ers Inc.
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Max Cooper, Pleasures (feat. BRAIDS)
Visualization
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2010s, 2017, Arrival (Premier Contact), best of 2017, best of créa, best of science, Christopher Wolfram, cinema, code, creativity, demonstration, Denis Villeneuve, extraterrestrial, live coding, logogram, Mathematica, newspeak, Non-linear time, programming, science, the fruit doesn't fall far from the tree, Visualization, visual language, Wolfram
Explication de la création des logogrammes du film “Premier contact” (Arrival)
Par Christopher Wolfram, fils de Stephen Wolfram, créateur du logiciel Mathematica
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Nigel Stanford, CYMATICS
Représentation du son via des expériences scientiques, comme la figure de Chladni, le Tube de Rubens, la Bobine de Tesla et les Ferro Fluides.
